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Audiences may know Nikka Graff Lanzarone from her role in the recent Off-Broadway production of SWEET CHARITY, or as the co-creator and host of the Broadway-centric podcast THE ENSEMBLIST, in which she and her co-host Mo Brady delve into each facet of creating a Broadway show with an emphasis on all those names that aren't above the title.Now, the multifaceted talent prepares to make her Feinstein's/54 Below debut on February 23, with a show she's co-created called HERO WORSHIP.The series' most recent installment (and the first of 2017) on February 27 at its usual home, The Town Hall, paid tribute to the 1920s.The decade, which inducted into the theatrical cannon the likes of George and Ira Gershwin and Richard Rodgers, brims with melodically-rich scores including songs of yearning and joviality.
Case in point: 54 Celebrates George Michael at Feinstein's/54 Below.
The same could be said about much of Finn's songbook, frequently titillating with jubilantly-plinking piano, and as easily swelling with devastation and richly sinister melodies.
Uranowitz, who himself just concluded his run as the neurotic psychiatrist Mendel in the Broadway revival of FALSETTOS, was up to the task of landing both the colloquial humor and grounded pain of Finn's distinct songwriting style.
The event, held within the atmospheric walls of the Mc Kittrick Hotel and which benefited The Trevor Project and Kids in Need of Defense was, as you could guess, anything but what Trump would deem "safe and special."Perhaps you have attended a wedding and, despite repeated refusal, you are forced by your date or young family member to get up on the dance floor.
You moan and groan and detest at the cloying silliness that is boogying to some horn-heavy interpretations of Top 100 hits or a once-inescapable Whitney Houston number.
At the 32nd Bistro Awards on March 13, produced by Sherry Eaker, attendees hunkered down at Gotham Comedy Club in the hours before a blizzard hit Manhattan to honor the best in the year's cabaret, comedy and jazz performances.